{"id":101,"date":"2020-02-01T15:19:58","date_gmt":"2020-02-01T15:19:58","guid":{"rendered":"https:\/\/heatherneill.co.uk\/blog\/?p=101"},"modified":"2020-02-01T15:19:58","modified_gmt":"2020-02-01T15:19:58","slug":"uncle-vanya-chekhovian-nuance","status":"publish","type":"post","link":"https:\/\/heatherneill.co.uk\/blog\/2020\/02\/01\/uncle-vanya-chekhovian-nuance\/","title":{"rendered":"Uncle Vanya: Chekhovian nuance"},"content":{"rendered":"<p>Toby Jones has the audience giggling the moment he appears, surging out of a daytime nap, hitherto out of sight, at the back of the stage. This is a brilliant study &#8211; funny and heart-breaking &#8211; of a desperately depressed middle-aged man who keeps just this side of sanity by turning every disappointment into a bitter, sardonic joke. Until, that is, he is pushed over the edge by unrequited passion for the beautiful, languid &#8211; and equally unhappy &#8211; Yelena (lazily elegant Rosalind Eleazar) and the selfish financial demands of her academic husband, his brother-in-law. Vanya&#8217;s incompetence &#8211; he can&#8217;t even satisfactorily pop a bubble sound to indicate the professor&#8217;s worthlessness &#8211; at seduction and attempted murder is both risible and painful to watch, perfectly capturing Chekhov&#8217;s nuanced mood.<\/p>\n<p><a href=\"https:\/\/heatherneill.co.uk\/blog\/wp-content\/uploads\/2020\/02\/32.-Uncle-Vanya-c-Johan-Persson-sized.jpeg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-103\" title=\"\" src=\"https:\/\/heatherneill.co.uk\/blog\/wp-content\/uploads\/2020\/02\/32.-Uncle-Vanya-c-Johan-Persson-sized.jpeg\" alt=\"Uncle Vanya at the Harold Pinter Theatre (c) Johan Persson\" width=\"800\" height=\"533\" srcset=\"https:\/\/heatherneill.co.uk\/blog\/wp-content\/uploads\/2020\/02\/32.-Uncle-Vanya-c-Johan-Persson-sized.jpeg 800w, https:\/\/heatherneill.co.uk\/blog\/wp-content\/uploads\/2020\/02\/32.-Uncle-Vanya-c-Johan-Persson-sized-300x200.jpeg 300w, https:\/\/heatherneill.co.uk\/blog\/wp-content\/uploads\/2020\/02\/32.-Uncle-Vanya-c-Johan-Persson-sized-768x512.jpeg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<p>Ian Rickson&#8217;s production and Conor McPherson&#8217;s unfussy adaptation bring out the extent to which all the main characters &#8211; the doctor Astrov, Vanya, Sonya his niece, touchingly played by Aimee Lou Wood, and even Yelena &#8211; sadly underestimate their potential while nevertheless being disastrously self-absorbed. A couple of them address the audience directly: somewhere out there someone might understand. Only the professor (Ciar\u00e1n Hinds, rightly unlovable) overestimates his ability while lacking any human empathy or self-knowledge.<\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/heatherneill.co.uk\/blog\/wp-content\/uploads\/2020\/02\/10.-Toby-Jones-and-Rosalind-Eleazar-in-Uncle-Vanya-c-Johan-Persson-copy.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-104\" src=\"https:\/\/heatherneill.co.uk\/blog\/wp-content\/uploads\/2020\/02\/10.-Toby-Jones-and-Rosalind-Eleazar-in-Uncle-Vanya-c-Johan-Persson-copy.jpg\" alt=\"Toby Jones and Rosalind Eleazar in Uncle Vanya (c) Johan Persson\" width=\"800\" height=\"606\" srcset=\"https:\/\/heatherneill.co.uk\/blog\/wp-content\/uploads\/2020\/02\/10.-Toby-Jones-and-Rosalind-Eleazar-in-Uncle-Vanya-c-Johan-Persson-copy.jpg 800w, https:\/\/heatherneill.co.uk\/blog\/wp-content\/uploads\/2020\/02\/10.-Toby-Jones-and-Rosalind-Eleazar-in-Uncle-Vanya-c-Johan-Persson-copy-300x227.jpg 300w, https:\/\/heatherneill.co.uk\/blog\/wp-content\/uploads\/2020\/02\/10.-Toby-Jones-and-Rosalind-Eleazar-in-Uncle-Vanya-c-Johan-Persson-copy-768x582.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a>Toby Jones and Rosalind Eleazar as Vanya and the mesmerising Yelena \u00a9Johan Persson<\/p>\n<p>The acting of the whole ensemble beautifully suggests a group of people imprisoned together in the countryside, sometimes loving but generally failing to understand each other. Relationships are delineated with forensic care in many tiny details &#8211; Sonya surreptitiously sniffing the socks of Astrov whom she adores, for instance.<\/p>\n<p>Astrov, a doctor like Chekhov, has a love of nature, of forests and wild places akin to Chekhov&#8217;s own. Richard Armitage gives him a faded glamour, desperate, alcohol-driven playfulness and a sadness born of frustration at the limitations of his achievement. His forbidden love for Yelena is heart-breaking, yet another failure.<\/p>\n<p>Rae Smith&#8217;s set is atmospheric while avoiding clich\u00e9; there isn&#8217;t a samovar to be seen.<\/p>\n<p><a href=\"https:\/\/www.haroldpintertheatre.co.uk\/uncle-vanya\" target=\"_blank\" rel=\"noopener\"><em>Uncle Vanya<\/em> is at the Harold Pinter Theatre until May 2nd<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Toby Jones has the audience giggling the moment he appears, surging out of a daytime nap, hitherto out of sight, at the back of the stage. This is a brilliant study &#8211; funny and heart-breaking &#8211; of a desperately depressed middle-aged man who keeps just this side of sanity by turning every disappointment into a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[32,36,35,7,34,31,33],"_links":{"self":[{"href":"https:\/\/heatherneill.co.uk\/blog\/wp-json\/wp\/v2\/posts\/101"}],"collection":[{"href":"https:\/\/heatherneill.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/heatherneill.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/heatherneill.co.uk\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/heatherneill.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=101"}],"version-history":[{"count":3,"href":"https:\/\/heatherneill.co.uk\/blog\/wp-json\/wp\/v2\/posts\/101\/revisions"}],"predecessor-version":[{"id":106,"href":"https:\/\/heatherneill.co.uk\/blog\/wp-json\/wp\/v2\/posts\/101\/revisions\/106"}],"wp:attachment":[{"href":"https:\/\/heatherneill.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/heatherneill.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/heatherneill.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}